Tragic Sandwich

Food. Family. Fun.

Netflix

When a DVD arrives from Netflix, J and I put it on top of the television. And there it sits, until we watch it. The problem is that while our queue is full of movies that we want to see, very few of them are, shall we say, lighter fare. As I mentioned in a previous post, There Will Be Blood sat on top of the TV for two months before we saw it. The Conversation also lasted about that long as well.

This week, however, we’ve made some progress. Last night we watched Alfred Hitchcock’s Foreign Correspondent, and it didn’t live up to a review that I read somewhere I can’t quite remember. Frankly, I can’t remember much about the movie, and it hasn’t even been 24 hours. George Sanders was, as usual, the standout. Whatever it was he did.

Tonight we watched The Illusionist. It’s not as complex a story as The Prestige, which we saw several months ago. However, it’s well-constructed and shot beautifully, and the performances are excellent. Of course, what else would you expect from Edward Norton and Paul Giamatti? J felt that Rufus Sewell’s Prince Leopold was too plainly a villain, but based on what little I know about the waning Hapsburgs, he would have fit right in.

So now I’m wondering what movie I should move to the top of the Netflix queue. Currently Pollock heads the list, and I have the feeling that it will hold a place of honor on top of the TV for longer than makes sense.

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